The Joan is currently seeking Casual Front of House (FOH) Staff to join our venue services team.
Applicants must have a current RSA, First Aid Certificate and NSW Working With Children Check as well as previous bar or hospitality experience &/or proven experience working in a similar role.
Applicants must be available to work evenings and weekends and may also on occasion be offered weekday shifts. The position is suited to a positive, professional and well-presented person who is comfortable with dealing with the general public. Maturity and common-sense are highly valued in the Front of House role.
Duties include ushering for performances and events, bar service, assisting with enquiries and ticket sales through the Box Office, set-up & clean-up for events, general customer service, and various other duties as directed by the FOH Supervisor.
To apply please send a current résumé detailing your experience, availability and including contact information for at least two referees to our Front of House Coordinator, Haydn Vredegoor – email@example.com
Closing Date for applications: Monday 13 February.
Thank you to all the parents and supporters for contributing to the success of our studioQ 2016 program! The Joan is busy preparing the studioQ program for 2017, which will include similar classes to our 2016 program:
Penrith Conservatorium of Music’s prestigious music scholarship applications are now open for 2017.
Apply Now »Info Kit »
The Conservatorium is again offering seven highly sought-after Scholarships through a competitive application and live audition process. The Scholarships recognise future potential and provide the chance for students to take their gift to the next level.
At the heart of the Conservatorium’s Scholarships program is a team of over 20 tutors all with outstanding qualifications as both performers and teachers offering individual tuition from beginner through to AMEB Grade 8 and beyond to concert standard. Many students go on to become musicians and music educators themselves.
Thanks to the generosity of Penrith City Council, donors and benefactors, seven scholarships are open to all instruments including voice, contemporary and classical, students of violin, viola, cello, flute, and guitar. Students and non-students of Penrith Conservatorium of Music are encouraged to apply for this coveted opportunity.
In 2017, seven high achieving, talented musicians will be awarded scholarships, helping set them on a pathway to professional music careers. The Conservatorium is offering the following scholarships:
The Richard Bonynge Scholarship for all instruments including voice One Scholarship: open to all students and general public.
The Mayoral Scholarship One Scholarship for 2017: open to all students and general public who live in the Penrith Local Government Area only.
Emerging Talent Scholarship One Scholarship for 2017: open to people age 12-18.
Malcolm Borland Scholarship – Piano only One Scholarship tuition for 2017: open to all students and general public, for piano only.
Regional Talent Scholarship One Scholarship for 2017: open to all students and the general public who live in the Penrith Local Government Area and who experience financial difficulty.
Penrith Conservatorium of Music Scholarships Two Scholarships for 2017: open to all students and general public for voice and instrument.
A Scholarship provides aspiring musicians with the opportunity to work with highly qualified teachers; tuition, musicianship and ensemble activity, and access to the Joan family of artists, mentors, classes and concerts – life changing opportunities that will continue to excite and engage young people and adults in the joy of making music.
“Being a scholarship recipient not only provided financial assistance, it provided the opportunity for me to have my achievements as a musician recognised. Over the years, it has given me the chance to be part of something very special – to perform in many events and concerts, to be noticed and to enjoy meeting people who know you – who have seen you perform. I have had the privilege to meet other gifted students and renowned musicians including the acclaimed Richard Bonynge. I am extremely thankful for these opportunities and to the Penrith Conservatorium of Music.” Diana Babajanyan recipient of the 2016 Richard Bonynge Scholarship.
Applications are now open and close at 5pm on Friday 16 December 2016.
An email confirming audition times will be sent by 5pm Friday 6 January 2017.
Auditions will be held on Wednesday 18 January 2017.
Apply Now » CAN I APPLY? You do not have to be a current student of Penrith Conservatorium of Music to apply for a scholarship.
You do need to be a resident of Greater Western Sydney.
You do need to be Grade 4 or higher for all instruments including voice.
Certain Scholarships are reserved for Penrith LGA residents only, or have age or financial hardship criteria.
HOW DO I APPLY? Application forms are available here or call us on 4723 7611. There is a $10 non-refundable application fee. Please carefully read the Terms and Conditions attached to the application form.
WHAT HAPPENS NOW? An audition timetable will be sent by email by 6 January 2017. There will be no deferred auditions.
WHAT DO I NEED TO PREPARE FOR MY AUDITION? Candidates need to prepare two contrasting pieces of music that show their musical and technical abilities. The two pieces will be performed back to back with no break, and must not exceed eight minutes length in total.
Two copies of the music must be presented to the panel at the commencement of the audition.
Candidates will need to arrange their own accompanist if required.
WHAT ARE THE AUDITION CRITERIA? The audition panel will consider the applicant’s demonstration of:
solo performance technique.
The audition panel will allocate scholarships based on individual performance and the needs of the Conservatorium (eg to build up program/instrument areas).
NEED MORE INFORMATION?
Ticketing Services Officer, Penrith Conservatorium of Music
T: 4723 7611 or E: firstname.lastname@example.org
Please note that Kate works on Mondays, Tuesdays and Wednesdays only
You can also download the 2016 Scholarship Information Pack here.
Q LAB is The Q’s annual residency program. Projects included in Q LAB are selected through an annual open call process and are provided with artist fees, space, technical and dramaturgical support. Q LAB is based on a commitment to supporting the development of independent artists and projects in the local Western Sydney area and the vibrancy that occurs as a result.
Successful applications will receive:
$2000 in artist fees
2 x weeks space in the Allan Mullins Studio with dramaturgical and technical support
Start a conversation with The Q – Apply Now!
Applications open: 19 October 2016
Applications close: 25 November 2016
Successful projects will be notified December 2016
Over the first half of 2017 The Q will support four independent artists or groups of artists in the development of a new project. For a list of projects previously supported by the Q Lab program, click here.
Residency periods available in 2017 are:
9 January – 20 January
23 January – 3 February
6 February – 17 February
20 February – 3 March
If none of these residency periods are suitable for your project we encourage you to apply anyway and make a note of dates that would suit your project.
Q Lab is open to both emerging and established artists working across contemporary performance and theatre.
Apply now! NEW CLOSING DATE JUST ANNOUNCED – 12 December
Thanks to the support of Southlands, Penrith Performing & Visual Arts will provide $15,000 to the development of new projects by emerging artists. For the purpose of this award an emerging artist is defined as an artist regardless of age in the first five years of their professional practice.
Three breakthrough awards of $5000 each will be presented to artists working in the areas of music, visual arts or theatre. The awards are designed to support artists to develop a new idea, concept, draft, design or outcome for a project at a critical juncture in their career over a six month period.
This might take the form of the first draft of a new play, a series of works that outline a vision for an extended work or the recording of a new song or composition. Curators, producers and directors are also encouraged to submit proposals for projects. Artists whose practice defies art form categorisation, works at the intersection of artforms or who are particularly interested in community impact and access are also encouraged to apply.
Tell us what is important for you to take the next step in your creative practice and how this Award would help you to make the leap. PP&VA will be eager to support your project in any way possible which may include creative mentorship, linkages to our programs, professional mentorship (ie support for developing CV, marketing of the project, networking, budgeting / planning advice etc) or the opportunity to work from our spaces across The Joan and Penrith Regional Gallery.
– Artists based in Greater Western Sydney – and west to Orange
– Project Rationale:
Successful projects proposals will be clear, viable and demonstrate artistic ambition.
– Demonstrated Ability:
Successful artists will demonstrate a commitment to creative practice and have a track record of delivering a project.
– Potential for Impact:
Projects where there is the potential for significant impact on the career of the emerging artist will be prioritised.
– Relevance and Resonance:
Projects that resonate or respond to the creative context of the local area its community and potential audiencesand have an ability to connect with the artistic programming of PP&VA will also be prioritised.
Successful artists will need to be prepared to share their experience at a public event in late 2017.
Who – Are you?
Send us a bio (200 words max) and a resume (2 page max) that outlines your work to date.
What – Would you like to make?
A short description of what you’d like to make/do including a working title for your project (20 – 50 words max).
When – Would you make it?
A breakdown of when you envision working on your project. This might include time for workshopping material, consulting with the creative team at The Joan/Gallery or deadlines for various aspects of your project (200 words max)
How – Would you make it?
A bit of background on what process or processes you’ll be drawing on throughout your project. If you’re working with collaborators or and partners this is a great chance to let us know about who they are and why they’re important for this project. Please also think about how you’d communicate with potential audiences about the project, including during a development process as well as any proposed public outcome. If you’re going to need additional support in terms of space or mentorship this is also a chance to outline any requests.
This is your chance to tell us how this project is important in your development as an artist, how it relates to the region and to us.
Together, your responses to How? and Why? should not exceed 1000 words.
Please send your proposals to e: email@example.com, drop it in by hand at the Box Office Joan Sutherland Performing Arts Centre (597 High Street Penrith) or Reception at Penrith Regional Gallery (86 River Road Emu Plains) or send it by post to PO Box 2 Penrith NSW 2751
PP&VA Chairman Peter Anderson AM, Member for Lindsay Emma Husar MP, Penrith Mayor Karen McKeown and Vice-Chancellor Professor Barney Glover
Penrith Performing and Visual Arts (PP&VA) is proud to announce a new partnership with Western Sydney University to help produce new cultural events and research projects.
Under the new arrangement, the two partners will work closely on developing innovative artistic programs and community events for the local region and beyond.
Students will also be given the opportunity to work at PP&VA organisations including the Joan Sutherland Performing Arts Centre, Penrith Conservatorium of Music, the Q Theatre and Penrith Regional Gallery & The Lewers Bequest.
The agreement was signed by University Vice- Chancellor Professor Barney Glover and and PP&VA Chairman Peter Anderson AM at the opening of the Gravity (and Wonder) exhibition, a vibrant three-month program across the Penrith region that includes a range of events, workshops and programs.
Western Sydney University events as part of Gravity (and Wonder) include:
Astronomy Night Penrith Observatory, Saturday 8 October, 7pm – 9pm
Have you ever wondered about gravity? What is this invisible force that stops us from flying off into space as our planet rotates? How does the Moon stay in orbit around Earth? Why is the gravity of a black hole so strong? Join us for answers to these questions and more in our special Gravity (and Wonder) event in association with thePenrith Regional Gallery & The Lewers Bequest.
Stargazing in the Garden Penrith Regional Gallery, Saturday 22 October, 6.30pm – 9.30pm
Where art and science meet. Join us for a special Gravity (and Wonder) event being held at thePenrith Regional Gallery & The Lewers Bequest. Penrith Observatory’s new portable planetarium will be onsite and members from the Western Sydney Amateur Astronomy Group will have telescopes available to share the wonders of the night sky with guests.
Gravity Geeks Art + Science Symposium, Joan Sutherland Performing Arts Centre Saturday 5 November, 9am – 5pm
With Professor Fred Watson as its patron and Natasha Mitchell as MC, this event will bring together artists and STEM researchers, educators, students and audience. It will present the work of artists working with scientists to illuminate scientific concepts and related research concerning gravity.
Right in the engine room of Penrith Performing & Visual Arts you’ll find Dave Garner, our Business Manager, keeping the wheels turning on the business, people and logistics side of both The Joan and Penrith Regional Gallery & The Lewers Bequest. We caught up with Dave to shoot the breeze on his day-to-day and daydreams.
Describe a day in your working life…
Well every day is different but I generally get to the office, check how we are tracking for ticket sales for each upcoming show and then my team and I have a discussion around what each day holds for us. I then go about working through the priorities of the moment which could involve meetings with other parts of the business, Council, a regular trip to the Lewers Gallery and on the fly troubleshoot any number of issues that crop up day to day.
What did you want to do with your career when you were growing up?
For a long time in my youth I harboured great ambitions to be a journalist. Actually studying journalism made me realise it wasn’t what I thought it would be…but I had a good grounding in writing and storytelling that went on to help my songwriting. For a little while I thought being a shepherd would pretty much be a dream job…sitting on a hill overlooking the sheep, gently playing a lute…are there shepherds anymore?
What has been your favourite moment or moments in the theatre?
Hard to pick. Some of the great moments for me have been really well performed work by small theatre groups. Twelfth Night in a tiny theatre in Canberra comes to mind. And most recently seeing Q Theatre’s Teacup In A Storm was a great experience as I was lucky enough to see a peek into its development. To see it grow into an amazing production was something special.
And your favourite / most memorable musical moments?
So many to choose from. Bruce Springsteen solo at the Capital Theatre was amazing, Emmylou Harris with Buddy Miller on guitar is a biggie, Chris Whitely, Chris Wilson, Peter Green, Wilson Pickett, Paul Simon, Lucinda Williams, Prince…all would rate very very highly
If I could see anyone perform at The Joan it would be
Paul Kelly and Renee Geyer performing together would be pretty special…
Name six people you’d invite to dinner if you could invite anyone at all, living or not.
My gorgeous wife Carrie could help me cook dinner and throw in some well-timed funny remarks. Frank Sinatra would be there to bring the classiness and Jagger for the swagger…I’m a cricket tragic so Merv Hughes would have a tale or two and he could keep the glasses topped up. We could all laugh along with Billy Connolly and by the end of the night we would have all fallen in love with Audrey Hepburn…
The Q is holding auditions to cast 8 young performers (16 – 26) for the 2016 workshop production of ‘Leda & The Swan.’ The show will be presented as part of The Q’s Young Artist Program in the Allan Mullins Studio at The Joan.
PRODUCER: The Q is the resident theatre making program at The Joan.
ROLES: 8 young performers (16 – 26).
EXPERIENCE: Performers of various levels of experience are encouraged to apply. A background or interest in devising new work will be an advantage.
THE SHOW: “The broken wall, the burning roof.” Eight emerging artists enter the battle of Troy. Their job? Take on the history books and centuries worth of retellings. They’ll reflect on war, love and violence. You know… the simple stuff. ‘Leda and the Swan’ is a story that has repeatedly been told through sculpture, poetry, song and stage. It is a story of Gods meddling in the world of mortals and of violence begetting violence.
Following the success of ‘The Bacchae’ in 2015, The Q is excited to be producing this new work created by The Q’s Young Artist Ensemble
AVAILABILITY: To be considered for inclusion in the project performers must be available for the following dates:
10.00am – 4.00pm | Sun 18/06/16
5.00pm – 8.00pm | Wednesdays 22/06/16 – 17/08/16
10.00am – 4.00pm | Sat & Sun 20/08/16 – 21/08/16
5.00pm – 9.00pm | Tue – Sat 23/08/16 – 27/08/16
COST: There is no charge for participation in this program.
The Q is a producer of contemporary theatre. Based at Joan Sutherland Performing Arts Centre, The Q has evolved from the creative lineage of The Q Theatre Company and its more than fifty-year commitment to the production and presentation of new theatre works.